Karizma, Jamie 3:26, Jamiie and Sotomayor reshape Megatronic’s soulful originals across deep house, disco, Afro rhythms and more experimental territory.
A good remix package should reveal something in the original material that perhaps wasn’t immediately obvious first time around.
On “There’s Truth In Gospel (Remixes)”, Razor-N-Tape hands Megatronic’s music to four producers with very different ideas about where it should go next.
The result is a four-track 12″ that moves between deep and soulful house, stripped-back disco, Afro-influenced rhythms and more experimental electronics without losing the warmth running through Megatronic’s original work.
First up is Karizma with his interpretation of “All I See”.
Originally built around a dreamy, piano-led atmosphere, Karizma strips things back and locks onto the groove, looping the key elements into something considerably more hypnotic and dancefloor focused.
It’s exactly the kind of approach you’d expect from a producer with his understanding of rhythm. Rather than overcrowding the original, he finds the pocket and stays there, allowing repetition and subtle movement to provide the momentum.
Jamie 3:26 takes an altogether tougher approach to “In Our Soul” with his Disko Revolt Mix.
Here, excess is removed in favour of the essentials.
Voice. Bass. Drums.
The result is raw, insistent and built around the physical pull of the groove. There’s something wonderfully unfussy about it, the kind of stripped-back arrangement that makes considerably more sense through a big system than it ever could on paper.
Jamiie’s version of “In Our Soul” heads in another direction entirely.
The Berlin-based producer pushes the track towards Afro and tribal territory, building around percussion before introducing a wild saxophone element that gives the remix an increasingly loose, almost ritualistic energy.
Where Jamie 3:26 pares the record down, Jamiie opens it outward.
That contrast between the two versions is one of the strengths of the package, demonstrating just how much room there was inside Megatronic’s original for different interpretations.
Sotomayor completes the 12″ with a reworking of “Mother”.
It’s arguably the least conventional moment on the record, taking the original’s chanted vocal into a sparse, more experimental electronic space. Rather than chasing an obvious house groove, the Mexican duo leave plenty of air around the arrangement, providing a slightly stranger conclusion to the EP.
Taken together, “There’s Truth In Gospel (Remixes)” works because Razor-N-Tape hasn’t simply commissioned four variations on the same idea.
Karizma finds the hypnotic house groove.
Jamie 3:26 heads straight for the drums.
Jamiie brings the Afro-influenced movement.
Sotomayor takes things somewhere altogether more abstract.
Four different approaches, but enough of Megatronic’s soulful DNA remains running through each of them to hold the package together.
And for DJs, that’s precisely what makes a remix EP like this useful.
Release Date: 2 September 2026, buy it here.
Label: Razor-N-Tape
Catalogue: RNTR 089
Format: 12″ Vinyl
Genre: Deep House / Soulful House